Thursday, May 30, 2019

Repressed Sexuality in Bram Stokers Dracula Essay -- Bram Stoker Dra

Repressed Sexuality in Bram Stokers Dracula Perhaps no work of literature has ever been undisturbed without being a product of its era, mainly because the human being responsible for writing it develops their worldview within a particular era. Thus, with Bram Stokers Dracula, though we have a lamia myth novel filled with terror, horror, and evil, the story is a thinly veiled disguise of the reduce sexual mores of the squeamish era. If we look to critical interpretation and description to win support for such a thesis, we find it aplenty For erotic Dracula certainly is. Quasi-pornography one critic labels it. Another describes it as a kind of incestuous, necrophilious, oral-anal-sadistic all-in-wrestling matching. A sexual search of the novel unearths the following seduction, rape, necrophilia, pedophilia, incest, adultery, oral sex, group sex, custodystruation, venereal disease, voyeurism (Leatherdale 155-156). While there are many other interpretations of the novel, such as the vampire as a Satan figure who wishes to take away the mortality Christ won mankind, this analysis will explore how it reads as a story of repressed sexuality and the conflict it creates for the characters living in a repressed tight-laced world. Christopher Craft, in his review of the novel, argues that the gender roles of males and females were extremely well-defined and limiting in Victorian society. The male was perceived as the stronger of the sexes, and women were relegated to a voiceless and submissive role. He argues that Harkers eager anticipation of the incestuous vampire daughters is a direct parallel of the roles of men and women in Victorian society, but the roles are reversed Harker awaits an erotic fulfillment ... ... novel allows an outlet for natural, human biological necessities, no doubt many Victorian readers were similarly thrilled and repulsed by its deliberate depiction of them. WORKS CITED Auerbach, N. A. and Skal, D. J. Bram Stoker Dracula Authoritativ e Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism. New York, W. W. Norton & Company, 1997. Carter, M. L. (ed.). Dracula The Vampire and the Critics. Ann Arbor, U.M.I. research Press, 1988. Darling, L. Dracula is us the vampire always sinks his fangs into our deepest fears. Newsday. Nov. 8, 1992, (07) 1-5. Leatherdale, C. Dracula The Novel and the Legend A Study of Bram Stokers Gothic Masterpiece. Brighton, Desert Island Books, 1993. Taylor, S. B. Stokers Dracula. The Explicator. Vol. 55. Sept. 1, 1996, (29-31) 1-3.

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